Trace/Sign objects convey a message,enticing us to interpret them. 
They engage our emotional narratives, simply seeing an object placed in a 
certain location makes us involuntarily contemplate its owner and the story 
behind it.Trace/Sign objects possess a strong sense of narrative. When I see 
these photographs, it's like watching scenes from a movie, with each scene 
flashing before my eyes in a coherent sequence. I feel like I've become the 
new screenwriter of this scene. I'm creating, hoping that other viewers will also interpret these photographs and tell their own stories.

Photographing and observing the speech corner.

This project centers on the concept of an Eggs archive. After modeling and rendering 60 visually similar eggs, they are systematically arranged in a matrix to form an archive that can be recorded and observed. Each egg carries grading information on its reverse side, but viewers cannot discern its grade or value from the surface alone. This presentation emphasizes the systematization and
extensibility of the archive, while also alluding to the control of grading and pricing in the modern egg industry, where consumers typically rely on information rather than physical characteristics to judge value. Through this “equal on the surface,
graded behind the scenes” experience, the work exposes the relationship between industrial hierarchy and information control, offering a critique and reflection on the power structures within the egg industry.

This project examines the sculptural potential of everyday items reordered into provisional configurations through play and material contrast. Taking Duchamp's readymade and Jane Fulton Suri’s Thoughtless Acts as foundational references, I work with mass-produced objects, tools, hardware, and domestic fragments,
subjecting them to simple operations of stacking, clamping, suspending, and balancing. The aim is not transformation, but extraction: drawing out tensions already latent in their material logic compression and resistance, weight and
counterweight, hard and soft. Each configuration becomes a condensed confrontation of physical, symbolic, and associative forces held in precarious equilibrium. The result is a body of sculptural propositions that reframes the overlooked hardware of daily life as a site of play.